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Английский язык. 10 класс (углублённый уровень)

Учебник для общеобразовательных организаций
Покупка
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Артикул: 815802.02.99
Учебник является основным компонентом учебно-методического комплекта «Английский язык» и предназначен для учащихся 10 класса общеобразовательных организаций (углублённый уровень). Основная задача курса - совершенствование приобретённых ранее знаний и умений и подготовка учащихся к сдаче Единого государственного экзамена по английскому языку. Материалы учебника способствуют достижению личностных, метапредметных и предметных результатов обучения. Аудиоприложение: https://prosv.ru/audio-afanasieva10-1/
Афанасьева, О. В. Английский язык. 10 класс (углублённый уровень) : учебник / О. В. Афанасьева, И. В. Михеева. - 10-е изд., стер. - Москва : Просвещение, 2023. - 222 с. - ISBN 978-5-09-110465-3. - Текст : электронный. - URL: https://znanium.ru/catalog/product/2124986 (дата обращения: 06.05.2024). – Режим доступа: по подписке.
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З © АО «Издательство «Просвещение» для коллекции ООО «ЗНАНИУМ »

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УДК 373.167.1:811.111+811.111(075.3)
ББК 81.432.1я721.6
 
А94

На учебник получены положительные заключения
научной (заключение РАО № 467 от 14.11.2016 г.),
педагогической (заключение РАО № 154 от 05.10.2016 г.)
и общественной (заключение РКС № 148-ОЭ от 19.12.2016 г.) экспертиз.

Условные обозначения:

– при выполнении задания предполагается использование 
аудиозаписи 

– задание в формате Единого государственного экзамена 
(National Examination Format)

– упражнение рекомендуется сделать устно и/или письменно 
в тетради

– задание в формате ЕГЭ предполагается выполнять 
с аудиозаписью

Афанасьева, Ольга Васильевна.
А94      Английский язык : 10-й класс : углублённый уровень : 

учебник / О. В. Афанасьева, И. В. Михеева. — 10-е изд., стер. — 
Москва : Просвещение, 2023. – 222 с. : ил.
ISBN 978-5-09-110465-3.
Учебник является основным компонентом учебно-методического комплекта «
Английский язык» и предназначен для учащихся 10 класса общеобразовательных 
организаций (углублённый уровень). Основная задача кур- 
са – совершенствование приобретённых ранее знаний и умений и подготовка 
учащихся к сдаче Единого государственного экзамена по английскому 
языку.
Материалы учебника способствуют достижению личностных, метапред-
метных и предметных результатов обучения.
Аудиоприложение: https://prosv.ru/audio-afanasieva10-1/

УДК 373.167.1:811.111+811.111(075.3)
ББК 81.432.1я721.6

ISBN 978-5-09-110465-3
©  АО «Издательство «Просвещение», 2014, 2019
©  Художественное оформление. 
АО «Издательство «Просвещение», 2014, 2019 
Все права защищены

З © АО «Издательство «Просвещение» для коллекции ООО «ЗНАНИУМ »

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З © АО «Издательство «Просвещение» для коллекции ООО «ЗНАНИУМ »

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1. 
Answer the questions.

1. Are you interested in art? What art in particular? 2. Painting and 
sculpture are visual arts, aren’t they? Which of them is more exciting 
for you? 3. What world-famous artists do you know/like? 4. Who is 
your favourite painter? Why? 5. Which of the two genres  –  portrait 
or landscape painting  –  attracts you more? Do you know any well-
known portraitists/landscapists? 6. Many artists produced pictures of 
scenes at sea. Can you say that Aivazovsky was a famous Russian 
seascapist? Do you know any names of his pictures? 7. Do you 
know any British museums? 8. Do you ever go to picture galleries 
and art museums? Which galleries/museums? What important picture 
galleries and art museums do you know in Russia and abroad? 
9. Where can we see sculptures? Where are they usually placed and 
why? 10. Do you think photography can be called a visual art? 
Why? Why not? 11. Have you ever tried your hand at any of these 
three arts  –  painting, sculpture and photography? How successful 
were you?

2.  
Look at some reproductions of works of art from Russian museum collections 
and match them with their names and the names of artists. Ask your parents to 
help if necessary.

Example:

 Picture 1 called Madonna Benois [b@,nU] 
(Madonna with a Flower) belongs to the brush 
of Leonardo da Vinci. 

Names of artists  
and sculptors

Leonardo da Vinci
Ivan Shishkin
Orest Kiprensky
Rembrandt van Rijn 
[‘rembr{nt v{n ‘raIn]
Henri Matisse [m@‘ts]
Alexei Savrasov
Paul Gauguin [‘g@Ug{n]
Mikhail Vrubel
Mark Antokolsky
Nikolay Roerich [‘r:rIk]

Names  of  pictures 
and sculptures

Portrait of A. Pushkin
The Rooks Have Come
Lilacs
Flora
Night Café in Arles
Madonna Benois
Rye
Artist’s Studio
Remember!
Ivan the Terrible

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З © АО «Издательство «Просвещение» для коллекции ООО «ЗНАНИУМ »

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З © АО «Издательство «Просвещение» для коллекции ООО «ЗНАНИУМ »

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3. 
Listen to the text “Famous Artists” (No 1) and say which of the artists:

a)   worked not only in the field of visual arts;
b)   was born, worked and died in the 17th century;
c)   made frescoes for one of the famous Catholic [‘k{T(@)lIk] churches;
d)   didn’t like to paint in his studio;
e)   couldn’t earn money selling his pictures.

Claude Monet [‘mɒneI].  
The Water Lily Pond

Vincent 
van Gogh 
[v{n‘gɒh]. 
Sunflowers

Leonardo da Vinci. 
The Mona Lisa

Michelangelo Buonarroti.  
God bringing Adam,  
the first man, to life  
(part of the painting)

Rembrandt van Rijn.  
The Artist  
in His Studio

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4.  
a)   What else do you know about the artists mentioned in ex. 3? b) Look at the 
reproductions on p. 7 and say under which of the following categories each of 
them goes:

1) portrait; 2) landscape; 3) still life1; 4) biblical (religious) painting; 
5) genre [‘Zɒnr@] scene/subject painting

5.  
Listen to the text “Ballet Dancers” (No 2) and say if the statements below are 
true, false or not mentioned in the text.

1. Edgar Degas [‘edg@ d@‘g] was born in Paris.
2. In all his paintings the artist represented2 ballet 
dancers.
3. Edgar Degas created a lot of sculptures whose 
models were ballet dancers.
4. The model for the sculpture Little Dancer 
Aged Fourteen was a dance student named Marie 
van Goethen.
5. The sculpture Little Dancer Aged Fourteen is 
dressed in a real skirt.
6. The sculpture is made of bronze.
7. The sculpture is about one metre high.
8. All Degas’ ballet dancers are shown as real 
beauties in his paintings.

6.  
As you know now, many of Degas’ models didn’t necessarily look attractive in 
his pictures and sculptures. Do you think that works of art should always be 
beautiful? Support what you say. Give examples.

7.  
Listen to the text “Zinaida Serebryakova” (No 3) and complete the sentences 
1–5 choosing the best ending.

1. Zinaida Serebryakova ... .
a) was born into a family of artists
b) had very talented relations
c) took after her father

2. In 1901 Ilya Repin ... .
a) gave Zinaida private classes of painting
b) was Zinaida’s art teacher
c) was in control of the art school that Zinaida attended

1 The plural form of the word still life is still lifes.
2 to represent [‚reprI‘zent]  –  изображать на картине

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3. Serebryakova became famous in Russia ... .
a) when her early works appeared at an art exhibition in 
1909
b) after her self-portrait At the Dressing Table was exhib-
ited
c) after her family moved to Petrograd

4. The artist began to create paintings connected with theatre 
because ... .
a) Zinaida’s daughter chose ballet as a subject of study
b) Zinaida wanted to show the world the importance of 
ballet dancing
c) she went in for ballet dancing

5. Zinaida Serebryakova spent most of her life in ... .
a) Paris
b) Moscow
c) Petrograd

8.  
Look at Zinaida Serebryakova’s self-portrait, read 
what Alexandre Benois1 wrote about it and say 
what effect the picture produces on you and  
how, in your opinion, it is achieved. You may men-
tion:

• the colours used in the picture;
• the setting;
• the age of the model;
• the light in the picture;
• anything you know about the painter.

“A young woman lives in a remote country 
area … and has no other pleasure, no other 
aesthetic enjoyment on winter days that seclude her from the whole world, 
than to see her merry young face in the mirror and to watch the play of her 
bare arms and hands with a comb … . Her face and everything else in the 
picture is young and fresh. There is not a trace of modernistic refinement. 
But the simple, real-life atmosphere, illuminated by youth, is joyous  
and lovely.”

1 Alexandre Benois (1870 –1960)  –  a painter, a graphic, an art critic, a writer on the 
work of Russian and foreign masters, and an outstanding scene painter who worked 
in the theatres of Moscow, St. Petersburg and in many cities in Europe and America.

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9.  
A. Read the text “Handmade Beauty” and complete it with the phrases below.
a) through the holes
b) in the 14th and 15th centuries
c) known as watercolours
d) colours of fire and sunshine
e) picture-making materials
f) from a block of stone or wood
g) such as walnut oil
h) unlike earlier tempera paints
i) both were known in prehistoric times

HANDMADE BEAUTY
There are almost as many ways of making pictures as there are 
artists. Most of the pictures we can see in picture galleries are paintings, 
but there are also drawings, prints, collages [‘kɒlZIz] and photographs.
There are a lot of different kinds of pictures and 1. ... . For example, 
pastel drawings are made using soft crayons known as pastels [‘p{stlz]. 
Some paintings are made using fast-drying, egg-based paints known as tem-
pera [‘temp@r@]. Paintings can also be made using water-based paints  –  ei-
ther transparent paints 2. ... or opaque [@U‘peIk] paints (not transparent) 
known as gouache [gU‘S]. Oil paintings are made using glossy, slow-drying 
oil paints. These paints are based on “drying oils” 3. ... , for example, 
which harden slowly when exposed to the air.
Frescoes are wall paintings, made by painting watercolours onto  
wet plaster.
Prints are made using carved blocks or stencils with holes cut in 
them. Blocks are coated with ink and pressed onto paper. Stencils are laid 
over paper and spread with ink so the ink prints 4. ... .
Collages are made by gluing down bits of colour paper or other ma-
terials.
Apart from various kinds of paints artists also use brushes of all sizes, 
paper, canvas, palettes, easels and many other objects whose purpose may 
not be clear to a layman.
The invention of oil paints was a revolution in art. 5. ... they take a 
long time to dry, so artists can work slowly and build up colours gradually, 
in layers. This is great for delicate shading and fine details, allowing artists 
to create incredibly lifelike pictures.
Oil paints were first developed in Northern Europe 6. ... , by artists 

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